
Multilingual DTP for translation agencies, companies, publishers and public institutions. Translated InDesign files are laid out so every language version keeps the original design, from German text expansion to right-to-left Arabic, Farsi, Urdu and Hebrew, and complex scripts such as Chinese, Japanese and Hindi.
Translation and proofreading stay with your linguists; the layout is handled here. DTP starts from the proofread text, text changes during layout are kept to a minimum, and your translators review every language version before final delivery.
Translated IDML from Trados Studio, memoQ or another CAT tool, laid out and returned for linguist review, following your file conventions and your client's specifications.
Brochures, reports, manuals and forms published in several languages, with a consistent layout and print-ready files for every version.
Books, magazines and catalogues adapted for new markets, including right-to-left editions and CJK typography.
Each step shows who does the work: your linguists own the text, and the layout is handled here.
Send the packaged InDesign file or IDML, a source PDF, the target languages and the deadline. You receive a quote and a timeline per language and in total.
Optional, before translation. Missing paragraph styles, linked frames or text inside images are flagged, and any preparation is agreed and quoted before translators start. See how to prepare an InDesign file for translation.
The text is translated and proofread in your CAT tool. DTP starts from the final, proofread text.
Expansion, direction, fonts, line breaks and links are handled in InDesign, and each version is exported as a PDF for review.
Your translators check the laid-out PDF and mark corrections as PDF comments, or in a list with page and position.
Corrections are applied in InDesign across two included revision rounds. You receive print-ready PDFs and packaged InDesign files for every language.
Create a structured project brief in your browser before contacting a DTP provider. Add your file format, page count, languages, deliverables, and common production risks. No upload, no storage, no sign-up.
Prepare Project BriefYou can use the generated brief with DTP Services Berlin or any other agency.
DTP for InDesign files starts at €4 per page for each language version, with two revision rounds included. Other file formats are assessed before a price is proposed, and every quote is based on the actual file. More on how DTP rates are calculated by file format.
| Factor | Effect |
|---|---|
| File format | InDesign files start at €4 per page. PDF, Word, PowerPoint and Illustrator files are assessed first. |
| Layout density | Tables, charts, text inside graphics and tightly fitted designs take longer. |
| Source file condition | Consistent paragraph styles, master pages and room for expansion keep the work fast. Files that need preparation are quoted separately after the assessment. |
| Scripts and direction | Right-to-left and complex scripts take longer to set, which is reflected in the schedule. |
| Languages and pages | Priced per page for each language version. |
| Deadline | Timelines are quoted per language and in total. Rush delivery is agreed in advance. |
| Changes after delivery | New text, rewrites or amendments after final delivery may be quoted separately. |
Arabic, Farsi, Urdu and Hebrew layouts are rebuilt for right-to-left reading, not just realigned. The composition mirrors, and every mixed-direction detail is checked, from English product names to numbers, URLs and email addresses. For the InDesign side, see how to set up InDesign for Arabic and Hebrew.
Some builds of widely used Arabic fonts display perfectly but store the letters so that copying, search and screen readers get the wrong characters. Arabic fonts are screened before layout, and every Arabic PDF is checked after export, as standard.
Layout in more than 40 languages, grouped here by script. Other languages are possible as long as your translators or proofreaders can review the layout.
Albanian, Bosnian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French (France, Canada), German, Hungarian, Indonesian, Italian, Latvian, Lithuanian, Malay, Maltese, Norwegian, Polish, Portuguese (Portugal, Brazil), Romanian, Serbian, Slovak, Slovene, Spanish (Spain, Latin America), Swedish, Turkish, Vietnamese
Bulgarian, Macedonian, Russian, Serbian, Ukrainian
Greek, Georgian
Arabic (Modern Standard, Gulf, Levantine, Egyptian), Farsi, Urdu, Hebrew
Hindi
Chinese (Simplified, Traditional, Hong Kong), Japanese, Korean
Thai, Khmer, Burmese
Correct typography is invisible when it's right and obvious when it isn't. These are the rules applied most often. To estimate expansion before layout, try the Text Expansion Calculator.
| Language | What changes |
|---|---|
| German | Often up to around 35% longer than English. Long compound words need German hyphenation, and a spaced en dash (–) replaces the English em dash. |
| French | Non-breaking spaces before : ; ! ? and inside « » guillemets. Canadian French uses fewer of these spaces. |
| Arabic | Kashida justification, Western or Arabic-Indic digits, and left-to-right English words and numbers inside right-to-left text. |
| Farsi and Urdu | Additional letters and their own digit forms, which the chosen font must support. |
| Hebrew | Right-to-left, with vowel points usually left out of body text. Numbers and Latin text stay left-to-right. |
| Chinese | No spaces between words, full-width punctuation, line-breaking rules that keep certain punctuation off line starts and ends, and a double dash (——). |
| Japanese | Line-breaking rules (kinsoku) and character spacing rules (mojikumi), including space between Japanese and Latin text. |
| Korean | Uses spaces between words, unlike Chinese and Japanese, and lines usually break between words. |
| Hindi | Conjunct letters and vowel signs need a text composer that shapes them correctly, and the exported text is checked for broken or doubled vowel signs. |
| Thai, Khmer, Burmese | No spaces between words, so line breaks need language-aware breaking to avoid splitting words. |
One luxury editorial layout adapted from English into Arabic, Chinese and Spanish, keeping the brand identity consistent across both reading directions and three scripts.
The logo, text block and alignment move to the opposite side, and the reading flow reverses. Diacritics are used where they suit the tone of luxury brand copy and left out where they would feel too formal.
Onur was hands-down the best DTP expert we ever worked with. Detail-oriented, deadline-driven and a true problem-solver. We've done many complex design projects and he has always come up with creative solutions. He never misses a deadline — a must for tight deadlines and large-volume projects.
Mr. Ilter proved to be a highly responsible and motivated person, able to handle short-term orders and high workload. He is always going the extra mile — something highly appreciated by us as well as our clients. I can highly recommend him at any time.
Onur is highly accurate, reliable and responsive. We outsource regularly and are very satisfied with the services provided.
DTP for InDesign files starts at €4 per page for each language version, with two revision rounds included. PDF, Word, PowerPoint and Illustrator files are assessed first, because the effort depends on how the file was built. The free assessment gives you a quote based on the actual file.
No. Translation and proofreading stay with your linguists, and DTP starts from the proofread text. Text changes during layout are kept to a minimum, so the approved translation isn't altered. Your translators then review the laid-out files for line breaks, hyphenation and anything the layout may have affected.
InDesign files are the standard: a packaged INDD with links and fonts, or the translated IDML from your CAT tool. Illustrator, Word and PowerPoint files are laid out too. When only a PDF exists, the layout can be rebuilt; see translating PDF files with an InDesign workflow and INDD vs IDML for translation.
It depends on how the file was built. A well-prepared file with consistent paragraph styles, master pages and room for expansion moves fast: a 30-page translated file can be finished in a few hours. Right-to-left languages can double that, because the whole page is rebuilt. Timelines are quoted per language and for the whole project.
There's no fixed limit. Most projects run in 5 to 30 languages, and every version is laid out from the same source so all of them stay consistent.
Each language version goes to your translators as a PDF. Corrections are marked as PDF comments, or in a separate list with page and position. Two revision rounds and the final delivery are included. New text, rewrites or amendments after final delivery may be quoted separately.
Expansion is absorbed in the layout first: frame fitting, hyphenation and spacing within typographic limits. If text still can't fit without harming readability, it's flagged to your linguists to shorten, rather than cut or rewritten during DTP. See overset text after translation.
The brand font is kept wherever it covers the language. Where it doesn't, a visually matching font is proposed and agreed with you before layout, with licensing in mind. See fonts in multilingual DTP.
Yes. Translated IDML from Trados Studio, memoQ or other CAT tools is laid out directly. Hyperlinks and cross-references are checked after the round-trip, because translation tools can change them without any warning.
Yes. Accessibility can be built into the InDesign source before translation, so every language version inherits it. See the PDF accessibility remediation service.
Yes. An NDA can be signed before any files are shared.
Send your files for a free assessment. You'll get a quote, a timeline per language and in total, and any risks spotted in the source file.
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